Choose a format:
| 1 | Settle Down | Johnson/Tetaz | 4:02 |
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| 2 | Something in the Way You Are | Ciancia/Elizondo/Jo | 4:23 |
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| 3 | Cameo Lover | Johnson | 4:02 |
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| 4 | Two Way Street | Johnson/Tetaz | 4:20 |
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| 5 | Old Flame | Johnson/Tetaz | 4:30 |
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| 6 | Good Intent | Johnson/Tetaz | 3:31 |
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| 7 | Plain Gold Ring [Live] | Stone | 4:31 |
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| 8 | Come into My Head | Ciancia/Johnson/Mas | 4:38 |
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| 9 | Sally I Can See You | Johnson/Kurstin | 3:57 |
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| 10 | Posse | Johnson/Kurstin | 5:06 |
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| 11 | Home | Ciancia/Jacobs/John | 3:04 |
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| 12 | The Build Up | Johnson/Tetaz | 5:05 |
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| 13 | Warrior [*] | Innis/Johnson/Mackl | 4:13 |
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Overview
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Production Details
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Editorial Reviews
Vows
Audio Compact Disc
Label: Warner Bros.
Category: Pop/Rock
Vows
UPC: 093624951346
Release Date: 05/22/2012
Original Release Date: 05/22/2012
Number of Discs: 1
- Kimbra
Main Performer
Jon O'Brien
Echoing the experimental nature of recent collaborator Gotye, whose number one single "Somebody That I Used to Know" she stole the show on, New Zealand songstress Kimbra's debut album, Vows, is a schizophrenic affair that is almost impossible to pigeonhole. Effortlessly flitting from bubblegum pop starlet on the playful old-skool beats and '60s doo wop vocals of "Cameo Lover" to avant-garde banshee on the melancholic music box-inspired closer, "The Build Up," Kimbra's chameleon-like tendencies ensure that predictability is certainly never an issue on any one of its 12 genre-hopping tracks. Occasionally, this "cover all bases" approach lacks focus, but for the most part, Kimbra's invention is a marvel to behold, as her enchanting and swooping jazz-pop tones glide across a veritable feast of sounds, from the hypnotic double basslines and '30s show tune harmonies of "Good Intent"; to the plinky piano hooks and rhythmic R&B grooves of opener "Settle Down"; while a beautifully gothic take on "Plain Gold Ring" is one of the rare instances of a Nina Simone cover matching the original. It will be interesting to see if she decides to pursue a more streamlined direction in the future, but by threading its widely eclectic range of influences together in such an impressively cohesive manner, Vows suggests she might never need to. ~ Jon O'Brien, Rovi
