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Up on the Ridge

Dierks Bentley  Main Performer

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Audio Compact Disc

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Track
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1 Up on the Ridge Bentley 3:34
2 Fallin' for You Camp/Kennedy 3:44
3 Señor (Tales of Yankee Power) Dylan 3:24
4 Rovin' Gambler Bentley/Randall 2:34
5 Draw Me a Map Bentley/Randall 3:31
6 Bad Angel Ragsdale/Thompson 4:04
7 Fiddlin' Around Austin/Camp/Sherril 3:08
8 You're Dead to Me Bentley/O'Brien/Ran 3:19
9 Pride (In the Name of Love) Clayton/Evans/Hewso 4:09
10 Love Grows Wild Miller/Miller 2:48
11 Bottle to the Bottom Kristofferson 4:16
12 Down in the Mine Bentley/Randall 5:01
  • Overview
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Up on the Ridge

Audio Compact Disc

Label: Capitol

Category: Country

Up on the Ridge

UPC: 5099968541026

Release Date: 06/08/2010

Original Release Date: 06/08/2010

Number of Discs: 1

Tracks: [Up on the Ridge, Fallin' for You, Señor (Tales of Yankee Power), Rovin' Gambler, Draw Me a Map, Bad Angel, Fiddlin' Around, You're Dead to Me, Pride (In the Name of Love), Love Grows Wild, Bottle to the Bottom, Down in the Mine]
Contributors:

Stephen Thomas Erlewine

Dierks Bentley drifted into predictability on his fourth album Feel That Fire, so his detour into progressive bluegrass on 2010?s Up on the Ridge is a bit of shock. Ditching much of the polish and precision that encumbered Feel That Fire, Bentley strips back to acoustics and brings in a host of guests, notably the Punch Brothers, who play on a quarter of the album, Miranda Lambert, Kris Kristofferson, and Del McCoury, whose keening voice soars on a cover of U2?s ?Pride (In the Name of Love).? The very presence of a U2 song suggests that this is not a traditional bluegrass album, either in its content -- Bentley balances a sharp version of ?Rovin? Gambler? with a terrific rearrangement of Bob Dylan?s ?Senor (Tales of Yankee Power)? -- or in its approach, as he sometimes puts picking in the backseat, letting the instruments strum sweetly as he croons. These cuts may not have the snap of classic bluegrass, but they do give Up on the Ridge a sense of country crossover, illustrating that Bentley is shrewd enough to walk the line between commercial and artistic concerns, but the best testament to his skill arrives on numbers like the loping, bluesy ?Bad Angel? (the Lambert duet), the sprightly ?You?re Dead to Me,? and flinty, funny ?Bottle to the Bottom? (with Kristofferson), songs that draw from tradition with a modern sensibility, illustrating Bentley?s skillful synthesis of past and present. ~ Stephen Thomas Erlewine, Rovi