Choose a format:
| 1 | Conversa de Botequim | Tavares/Babilonia | 4:06 |
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| 2 | Xalakere | Jauperi | 3:25 |
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| 3 | Beregede | Souza/Mola | 3:51 |
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| 4 | Te Amare | Vieira | 4:10 |
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| 5 | Liberdade Ile Aiye | Mola/Babilonia | 3:56 |
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| 6 | Os Choroes | Marques/Lapa | 3:30 |
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| 7 | Glamour | Ribeiro/Peixoto | 4:12 |
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| 8 | Deixa de Agonia | Medrado/Souza | 3:48 |
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| 9 | Canto de Caboclada | Geronimo | 3:21 |
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| 10 | Toma uma Beijoca | Novaes | 3:09 |
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| 11 | Porto de Cachoeira | Negrita | 3:31 |
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| 12 | Na Colina Do Bomfim | Esquerdinha | 3:53 |
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| 13 | Acenda a Brasa | Evangelista/Machado | 4:04 |
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Overview
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Production Details
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Editorial Reviews
Samba+Samba
Audio Compact Disc
Label: The Lightyear Group/Blue Jackel
Category: International
Samba+Samba
UPC: 085365473126
Release Date: 03/28/2006
Original Release Date: 03/28/2006
Number of Discs: 1
- Tony Mola
Main Performer
Richard S. Ginell
Bahian percussionist Tony Mola set out to make a concentrated, all-encompassing, all-drums-blazing samba album -- and indeed, he has come up with a beauty. From start to finish, this CD percolates to several variants of samba in three- to four-minute bites -- irresistible, tuneful, joyous, sometimes surprising in its reach. The first track, "Conversa de Botequim," could be labeled Afro-samba -- the groove of the Afro-beat masters mixed with the percussion of Bahia -- and a number of other sambas on the CD openly betray their African roots and tributaries. Vocalist Gilson Babil?nia sounds as if he has been studying Gilberto Gil closely and wisely; his singing has the same lithe, agile flexibility, tripping lightly over the groove. Now and then he is spelled by the smoother-textured, relaxed vocals of Carlinhos Marques -- and on the oddly calypso-flavored "Toma uma Beijoca," the singer is Tarsis Novaes. The playful flutes on "Beregede" and several other tracks belong to Letieres Leite. And throughout the disc, on a percussion shop full of instruments, Mola keeps the grooves floating along, never too heavy in accent, gently yet insistently pushing the beat. Give it a spin; you may never take it off. ~ Richard S. Ginell, Rovi
