Choose a format:
| 1 | Shakiyla | Wise Intelligent/D. | 4:06 |
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| 2 | Easy Star | D./Wise Intelligent | 4:42 |
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| 3 | Self-Styled Wisdom | Allen/Oskar/Jordan/ | 3:47 |
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| 4 | Hot Damn I'm Great | D./Wise Intelligent | 4:24 |
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| 5 | Strictly Mash'ion | Wise Intelligent/D. | 5:00 |
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| 6 | The Nation's Anthem | Wise Intelligent/D. | 3:45 |
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| 7 | Each One Teach One | D./Wise Intelligent | 3:59 |
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| 8 | Rappin' Black | D./Wise Intelligent | 4:05 |
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| 9 | Just Servin' Justice | D./Wise Intelligent | 4:54 |
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| 10 | Freedom or Death | Wise Intelligent/D. | 4:07 |
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| 11 | Methods of Droppin' Mental | D./Wise Intelligent | 3:47 |
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| 12 | Pure Poverty | D./Wise Intelligent | 4:38 |
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| 13 | I'm Comin' Again | Wise Intelligent/D. | 1:12 |
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Overview
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Production Details
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Editorial Reviews
Pure Poverty
Audio Compact Disc
Label: Profile
Style: Jazz-Rap
Pure Poverty
UPC: 015151141526
Release Date: 01/01/1899
Original Release Date: 01/01/1899
Number of Discs: 1
- Poor Righteous Teachers
Main Performer
Rick Anderson
Rappers who take a strong moral stance were beginning to proliferate when the second Poor Righteous Teachers album came out, but this young trio had been "teaching the righteous way" since the beginning, combining hard, funky beats with culture-conscious didacticism. With stage names like Wise Intelligent, Culture Freedom and Father Shaheed, the three may have come across as a bit pretentious, but they really were quite serious; their stated goal was to "teach the blind, deaf and dumb who the real living God is." Okay, maybe a lot pretentious. And if it weren't for the spare, airtight beats and the dexterous samples, their lyrics of cultural awareness, self-sufficiency and religious discipline would probably have fallen flat. But those beats are there and so is the flow -- Wise Intelligent's lilting, reggae-influenced speed rap is especially fine, especially on the dancehall-inflected "Easy Star" and "I'm Comin' Again," an a cappella rap. There are occasional moments of self-contradiction, maybe even hypocrisy: though they solemnly preach respect for "the Black woman," they apparently see nothing wrong with using her orgasmic moans and groans to spice up a track or two. But the album's still a winner overall. ~ Rick Anderson, Rovi
