Choose a format:
| 1 | Déjate Llevar | Cibrian/Martin/Nava | 3:17 |
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| 2 | A Ciegas | Grenci/Munoz/Navarr | 3:43 |
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| 3 | Nada | Cibrian/Grenci/Nava | 3:12 |
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| 4 | Peligro | Grenci/Navarro/Rami | 3:41 |
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| 5 | Déjame Ir | Cesar Miranda/Cuaht | 4:11 |
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| 6 | Igual a Nada | Lopez/Schon | 3:11 |
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| 7 | Irreversible | Chavez/Grenci/Ramir | 4:00 |
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| 8 | Mi Tormenta Favorita | Grenci/Velez | 3:12 |
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| 9 | Si Te Vas | Cesar Miranda/Ramir | 3:07 |
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| 10 | Cálido y Rojo | Lopez/Sergi | 3:18 |
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| 11 | Adicto a Ti | Cesar Miranda/Cibri | 3:31 |
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| 12 | No Te Quiero Olvidar | Martin/Navarro/Rami | 3:41 |
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| 13 | Creo en Ti | Cibrian/Martin/Rami | 2:47 |
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| 14 | Tu Mirada | Lopez/Schon/Stambuk | 3:21 |
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Overview
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Production Details
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Editorial Reviews
Peligro
Audio Compact Disc
Label: Sony Music Latin
Style: Latin Pop
Peligro
UPC: 886978957122
Release Date: 07/05/2011
Original Release Date: 07/05/2011
Number of Discs: 1
- Reik
Main Performer
Jon O'Brien
Recorded in the remote Texan town of Tornillo, Mexican pinup trio Reik slightly deviate from their usual Latin pop/rock formula by jumping on the retro synth pop bandwagon for their fourth album, Peligro. Produced by Cachorro L?pez (Julieta Venegas), Kiko Cibrian (Luis Miguel), and Ettore Grenci (Kalimba Marichal), the follow-up to 2008's Latin Grammy-winning Un Dia Mas still contains the driving MOR anthems ("D?jate Llevar," "No Te Quiero Olvidar," the latter of which also appears in an English-language version) and romantic ballads ("Creo en Ti," "A Ciegas") that have helped them to slowly build a following across the southern parts of the U.S. as well as their homeland. But elsewhere, its 16 tracks showcase a more adventurous streak lacking from their previous output, whether it's the dirty acidic basslines and funky guitar licks of the infectious title track (also featured here in a perfunctory Masterfrenc Remix), the shimmering Guetta-esque synths of the pulsing "Tu Mirada," or the melodic indie disco of "Irreversible." The quirky Howard Jones-esque electro-pop of "C?lido y Rojo" (one of two tracks penned by Miranda!'s Ale Sergi), the Spandau Ballet-style melodramatics of "D?jame Ir," and the chiming U2-inspired riffs on "Si Te Vas" suggest that a Now That's What I Call the 80s compilation may have been the catalyst for their change in direction. But it's ultimately a convincing one, and while its nearly hourlong running time could have done with a bit of trimming (particularly the unremarkable "Mi Tormenta Favorita" and "Adicto a Ti"), Peligro should ensure that their steady rise to the top of the Mexican pop scene remains on course. ~ Jon O'Brien, Rovi
