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Master of the Gypsy Cimbalom

Kálmán Balogh  Main Performer

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1 Bulgar Cigany Horo Traditional 3:22
2 In Memory of Balogh Elemér Balogh 3:18
3 Bonchidai Ritka Magyar Traditional 2:17
4 Magyar Verbunk Traditional 3:44
5 Vajdaszentivanyi Forgatos Traditional 3:28
6 Kalotaszegi Cigany Csardasok Traditional 5:48
7 Mezösegi Ciganytanc es Lassu Csardas Traditional 4:19
8 Cintec de Dragoste & Hora de la Bolintin Traditional 4:50
9 Sirba, Tropca & Hora Drom Dobrogea Traditional 4:47
10 Doina, Hora & Batuta from Moldavia Traditional 5:56
11 Roman Cigany Hallgato Traditional 3:26
12 Romanian Suite [*] Traditional 5:45
13 Bulgarian Gipsy Hora [*] Traditional 5:44
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Master of the Gypsy Cimbalom

Audio Compact Disc

Label: Arc Music

Style: World Fusion

Master of the Gypsy Cimbalom

UPC: 743037217224

Release Date: 10/14/2008

Original Release Date: 10/14/2008

Number of Discs: 1

Tracks: [Bulgar Cigany Horo, In Memory of Balogh Elemér, Bonchidai Ritka Magyar, Magyar Verbunk, Vajdaszentivanyi Forgatos, Kalotaszegi Cigany Csardasok, Mezösegi Ciganytanc es Lassu Csardas, Cintec de Dragoste & Hora de la Bolintin, Sirba, Tropca & Hora Drom Dobrogea, Doina, Hora & Batuta from Moldavia, Roman Cigany Hallgato, Romanian Suite [*], Bulgarian Gipsy Hora [*]]
Contributors:

Adam Greenberg

From cimbalom player (and former Muszik?s member) K?lm?n Balogh, this aptly named album shows off an instrument popular in Hungarian Gypsy music but little heard otherwise. Balogh takes on Hungarian, Romanian, and Moldavian Gypsy music (both modern and traditional); sad ballads; and uptempo dances. The range is remarkable, matched only by the stunning speed of Balogh's mallets on his dulcimer. For listeners coming to Balogh by way of his work with larger ensembles, the excitement may be somewhat muted, with less accompaniment and fewer full band numbers heard here. The cimbalom certainly doesn't have a sparse sound, but may seem sparse in relation to the well-known Eastern European Gypsy ensembles. The album opens with a slightly Turkish-sounding number before moving into a trio of more traditional stylings. A short Gypsy jazz interlude provides inflections of American swing, and a short bit of solf?ge in combination with Balogh's cimbalom hints at the musical connections with India's santoor. After a piece originally written for violin, the music takes a turn into Romanian pieces for the rest of the main album's course. Tacked onto the end, however, are two items from K?lm?n Balogh "and friends," larger ensemble pieces that make use of the full ARC Records stable -- Hossam Ramzy on percussion, Pablo Carcamo on bass, and Enrique Ugarte on accordion, among others. The sound is less coherent but more groove-centric, and reignites what had become a slower spell of the album. Give the ensembles (Muszik?s, Taraf de Ha?douks, etc.) a shot first, but then come back to Balogh as an excellent example of a solo player. ~ Adam Greenberg, Rovi