Choose a format:
| 1 | Countdown to Armageddon | D./Shocklee/Sadler | 1:42 |
|
| 2 | Bring the Noise | Shocklee/D./Anthrax | 3:45 |
|
| 3 | Don't Believe the Hype | D./Shocklee/Drayton | 5:19 |
|
| 4 | Cold Lampin' with Flavor | Sadler/Shocklee/Dra | 4:17 |
|
| 5 | Terminator X to the Edge of Panic | D./Drayton/Flavor F | 4:31 |
|
| 6 | Mind Terrorist | Sadler/D./Shocklee | 1:21 |
|
| 7 | Louder Than a Bomb | Sadler/D./Shocklee | 3:38 |
|
| 8 | Caught, Can We Get a Witness? | Shocklee/Sadler/D. | 4:53 |
|
| 9 | Show 'Em Whatcha Got | D./Shocklee/Sadler | 1:56 |
|
| 10 | She Watch Channel Zero?! | D./Flavor Flav/Shoc | 3:49 |
|
| 11 | Night of the Living Baseheads | Sadler/D./Shocklee | 3:14 |
|
| 12 | Black Steel in the Hour of Chaos | Drayton/Public Enem | 6:23 |
|
| 13 | Security of the First World | Sadler/D./Shocklee | 1:20 |
|
| 14 | Rebel Without a Pause | Sadler/Rogers/Shock | 5:02 |
|
| 15 | Prophets of Rage | Flavor Flav/Sadler/ | 3:18 |
|
| 16 | Party for Your Right to Fight | D./Shocklee/Sadler | 3:24 |
|
-
Overview
-
Production Details
-
Editorial Reviews
It Takes a Nation of Millions to Hold Us Back
Audio Compact Disc
Label: Ral
It Takes a Nation of Millions to Hold Us Back
UPC: 731452735829
Release Date: 05/02/1995
Original Release Date: 05/02/1995
Number of Discs: 2
- Public Enemy
Main Performer
Stephen Thomas Erlewine
Yo! Bum Rush the Show was an invigorating record, but it looks like child's play compared to its monumental sequel, It Takes a Nation of Millions to Hold Us Back, a record that rewrote the rules of what hip-hop could do. That's not to say the album is without precedent, since what's particularly ingenious about the album is how it reconfigures things that came before into a startling, fresh, modern sound. Public Enemy used the template Run-D.M.C. created of a rap crew as a rock band, then brought in elements of free jazz, hard funk, even musique concr?te, via their producing team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before. This coincided with a breakthrough in Chuck D's writing, both in his themes and lyrics. It's not that Chuck D was smarter or more ambitious than his contemporaries -- certainly, KRS-One tackled many similar sociopolitical tracts, while Rakim had a greater flow -- but he marshaled considerable revolutionary force, clear vision, and a boundless vocabulary to create galvanizing, logical arguments that were undeniable in their strength. They only gained strength from Flavor Flav's frenzied jokes, which provided a needed contrast. What's amazing is how the words and music become intertwined, gaining strength from each other. Though this music is certainly a representation of its time, it hasn't dated at all. It set a standard that few could touch then, and even fewer have attempted to meet since. ~ Stephen Thomas Erlewine, Rovi
