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Infernal Heights for a Drama

Amute  Main Performer

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1 Break Kushnier/Deuson 4:52
2 May Faint Kushnier/Deuson 6:44
3 Begone Kushnier/Deuson 7:11
4 Enclosed Movements/Inner You Deuson/Kushnier 10:43
5 When Things Are Not Going Right Deuson/Kushnier 2:22
6 Spread Deuson/Kushnier 5:04
7 No Other Man Deuson/Kushnier 8:51
8 Eyelash: Fukt Kushnier/Deuson 5:27
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Infernal Heights for a Drama

Long Play Record

Label: Still

Category: Pop/Rock

Infernal Heights for a Drama

UPC: 5413356606812

Release Date: 04/14/2009

Original Release Date: 04/14/2009

Number of Discs: 1

Tracks: [Break, May Faint, Begone, Enclosed Movements/Inner You, When Things Are Not Going Right, Spread, No Other Man, Eyelash: Fukt]
Contributors:

Ned Raggett

Shifting from a solo project for Jerome Deuson into a full band effort for this release, aMute creates an enjoyable enough if not completely remarkable collection of shadowy, contemplative songs on Infernal Heights for a Drama. The band's ace in the hole is its outgrowth from Deuson's electronic background; like many acts with similar roots, it allows Deuson to create songs that embrace a more fragmented, "inorganic" flow rather than continually paying homage to rock-as-such. The opening "Break," with its stuttered piano loop, buried lead vocal, and slow rise to the point where the beats appear, and the clipped, circular conclusion of "Enclosed Movements/Inner You," at once a trippy swirl and a tight funk groove, showcase this ability at the band's best. Meantime, bursts of glitch and crumble upset the concluding track, "Eyelash: Fukt," ending things on a questioning and unsettled note. That said, this kind of approach doesn't always come to the fore, and the end result can be songs that find the kind of sonic place any number of groups have done in the ten years since, say, The Soft Bulletin and Come on Die Young helped codify the Dave Fridmann template -- big drum rumbles, tender orchestrations, crushing melancholia in a widescreen sense -- "Begone" might as well be a full-on tribute to Mogwai, at least circa Rock Action, while "No Other Man," if a more enjoyable number, also suffers from a sense of too-close familiarity). ~ Ned Raggett, Rovi