HomeMusic Gamelan Music of Bali

Gamelan Music of Bali

Various Artists  Main Performer

See full product details
Choose a format:
Previous
  • Audio Compact Disc [Lyrichord]   $14.16
  • Used - Audio Compact Disc [Lyrichord]   $12.20

Used - Audio Compact Disc [Lyrichord]

Usually Ships Within 48 Hours.

$12.20

Add to Cart Add to Wish List Share with a Friend
Check Store Availability
Next
Track
Listen
1 Topeng Tua   3:14
2 Kebjar Teruna   13:49
3 Tabuhan Djoged   7:37
4 Segera Madu   3:12
5 Gamelan Angklung   6:27
6 Gambang Suling   8:58
7 Kebjar Hudjan Mas   6:35
  • Overview
  • Production Details
  • Editorial Reviews
Gamelan Music of Bali

Audio Compact Disc [Lyrichord]

Label: Lyrichord

Gamelan Music of Bali

UPC: 744457717929

Release Date: 09/16/1997

Original Release Date: 09/16/1997

Number of Discs: 1

Tracks: [Topeng Tua, Kebjar Teruna, Tabuhan Djoged, Segera Madu, Gamelan Angklung, Gambang Suling, Kebjar Hudjan Mas]
Contributors:
  • Various Artists  Main Performer 

Adam Greenberg

A good bit of gamelan music. This is perhaps one of the most widespread of world music genres, but new entries into the field often lack something. This compilation of sounds spans the majority of the gamelan-based sub-genres within the space of a single disc. Both the angklung (lighter-weight orchestras) and gong kebjar (more traditional) styles are represented. The album opens with an angklung standard dance piece, "The Topeng." From there, it moves into "Kebjar Teruna," a piece in which a dancer generally interprets the gamelan orchestra's sound as movement in a stylized fashion. A piece from the Djoged repertoire follows in slendro scaling, and "Segera Madu" shows a closer link to the original bamboo angklung orchestras, adding in a group with the gongs of the gamelan ensemble. "Gamelan Angklung" continues this look back, and "Gambang Suling" provides a look at the suling-based (flute) composition style in the pelog scaling. The album finishes on the omnipresent "Udan Mas," a full, grandiose piece for the kebjar ensemble. The only major omission here would be the kecak vocal genre, which fits into the main heading of gamelan but is rarely represented alongside the gong forms. For a basic look at gamelan, this album does quite well, competing admirably with a number of similar albums. Give it a listen as a newcomer to the genre, but pick out more narrowly focused albums as a veteran of gamelan. ~ Adam Greenberg, Rovi