Facelift

Alice in Chains  Main Performer

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Track
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1 We Die Young Cantrell 2:32
2 Man in the Box Cantrell/Staley 4:46
3 Sea of Sorrow Cantrell 5:49
4 Bleed the Freak Cantrell 4:01
5 I Can't Remember Staley/Cantrell 3:42
6 Love, Hate, Love Staley/Cantrell 6:27
7 It Ain't Like That Starr/Cantrell/Star 4:37
8 Sunshine Cantrell 4:44
9 Put You Down Cantrell 3:16
10 Confusion Staley/Cantrell/Sta 5:44
11 I Know Somethin (Bout You) Cantrell 4:21
12 Real Thing Cantrell/Staley 4:03
  • Overview
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Facelift

Audio Compact Disc

Label: Columbia

Style: Hard Rock

Facelift

UPC: 074644607529

Release Date: 08/20/1990

Original Release Date: 08/20/1990

Number of Discs: 1

Tracks: [We Die Young, Man in the Box, Sea of Sorrow, Bleed the Freak, I Can't Remember, Love, Hate, Love, It Ain't Like That, Sunshine, Put You Down, Confusion, I Know Somethin (Bout You), Real Thing]
Contributors:

Steve Huey

When Alice in Chains' debut album, Facelift, was released in 1990, about a year before Nirvana's Nevermind, the thriving Seattle scene barely registered on the national musical radar outside of underground circles (although Soundgarden's major-label debut, Louder Than Love, was also released that year and brought them a Grammy nomination). That started to change when MTV jumped all over the video for "Man in the Box," giving the group a crucial boost and helping to pave the way for grunge's popular explosion toward the end of 1991. Although their dominant influences -- Black Sabbath, the Stooges -- were hardly unique on the Seattle scene, Alice in Chains were arguably the most metallic of grunge bands, which gave them a definite appeal outside the underground; all the same, the group's sinister, brooding, suffocating sound resembled little else gaining wide exposure on the 1990 hard rock scene. Neither hedonistic nor especially technically accomplished, Alice in Chains' songs were mostly slow, oppressive dirges with a sense of melody that was undeniable, yet which crept along over the murky sludge of the band's instrumental attack in a way that hardly fit accepted notions of what made hard rock catchy and accessible. Although some parts of Facelift sink into turgid, ponderous bombast (particularly over the erratic second half), and the lyrics are sometimes immature, the overall effect is fresh, exciting, and powerful. While Alice in Chains would go on to do better and more consistent work, Facelift was one of the most important records in establishing an audience for grunge and alternative rock among hard rock and heavy metal listeners, and with its platinum sales certification, it also made Alice in Chains the first Seattle band to break through to a wider, less exclusively underground audience. ~ Steve Huey, Rovi

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