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Define the Great Line

Underĝath  Main Performer

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1 In Regards to Myself Underĝath/Chamberla 3:24
2 A Moment Suspended in Time Underĝath/Chamberla 3:59
3 There Could Be Nothing After This Gillespie/Chamberla 3:26
4 You're Ever So Inviting Chamberlain/Underĝa 4:13
5 Salmarnir Chamberlain/Underĝa 2:57
6 Returning Empty Handed Chamberlain/Gillesp 4:27
7 Casting Such a Thin Shadow Underĝath/Gillespie 6:13
8 Moving for the Sake of Motion Chamberlain/Gillesp 3:15
9 Writing on the Walls Underĝath/Gillespie 4:02
10 Everyone Looks So Good from Here Gillespie/Underĝath 2:56
11 To Whom It May Concern Gillespie/Underĝath 7:02
12 Bonus Material [DVD][*]    
  • Overview
  • Production Details
  • Editorial Reviews
Define the Great Line

Audio Compact Disc [Bonus DVD]

Label: Tooth & Nail

Style: Christian Metal

Define the Great Line

UPC: 094636638423

Release Date: 06/20/2006

Original Release Date: 06/20/2006

Number of Discs: 2

Tracks: [In Regards to Myself, A Moment Suspended in Time, There Could Be Nothing After This, You're Ever So Inviting, Salmarnir, Returning Empty Handed, Casting Such a Thin Shadow, Moving for the Sake of Motion, Writing on the Walls, Everyone Looks So Good from Here, To Whom It May Concern, Bonus Material [DVD][*]]
Contributors:

James Christopher Monger

Screamo/metalcore Warped Tour mainstays Underoath expand their sonic palettes on the blistering and occasionally majestic Define the Great Line, a mammoth production that exemplifies how far Christian metal has come since the days of Stryper and Bloodgood. On their third full-length release, the Florida-based rockers have found the delicate middle ground between throat-shredding grindcore and My Chemical Romance/From Autumn to Ashes-style emo-punk, utilizing the highly flexible voice of Spencer Chamberlain as a compass for both melody and cacophony. Define the Great Line is bookended by its best cuts, the rousing "In Regards to Myself" and the epic closer, "To Whom It May Concern." Both exemplify the group's newfound confidence in the studio and introduce a real progressive bent to both the production and the overall arrangements. While Underoath explore their faith with both reverence (the monastic "Salmarnir") and suspicion ("There Could Be Nothing After This"), something that sets them apart from the polarizing righteousness of many CCM acts, their crossover potential remains huge, as the prevailing themes of isolation, anger, introspection, and the quest for self-confidence are universal. ~ James Christopher Monger, Rovi