The Complex

Blue Man Group  Main Performer

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Track
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1 Above Goldman/Perlmutter/ 2:46
2 Time to Start Dyas/Wink/Stanton/G 3:43
3 Sing Along Wink/Dyas/Stanton/G 3:25
4 Up to the Roof Gleitsman/Dyas/Perl 3:51
5 Your Attention Stanton/Goldman/Per 4:09
6 Persona Dyas/Gleitsman/Stan 4:30
7 Piano Smasher Golden/Wink/Dyas/Pe 3:00
8 White Rabbit Slick 2:54
9 The Current Wink/Gleitsman/Gold 3:48
10 Shadows, Pt. 2 Wink/Stanton/Gleits 5:13
11 What Is Rock Gleitsman/Dyas/Gold 2:56
12 The Complex Dyas/Goldman/Gleits 3:11
13 I Feel Love Summer/Moroder/Bell 6:29
14 Exhibit 13 Heinemann/Dyas/Wink 8:51
  • Overview
  • Production Details
  • Editorial Reviews
The Complex

Audio Compact Disc

Label: Lava/Atlantic

Style: Experimental

The Complex

UPC: 075678363122

Release Date: 04/22/2003

Original Release Date: 04/22/2003

Number of Discs: 1

Tracks: [Above, Time to Start, Sing Along, Up to the Roof, Your Attention, Persona, Piano Smasher, White Rabbit, The Current, Shadows, Pt. 2, What Is Rock, The Complex, I Feel Love, Exhibit 13]
Contributors:

Robert L. Doerschuk

After devoting more than 15 years to building their unique fusion of edgy performance and advanced yet home-brewed technologies, the Blue Man Group moves aggressively toward the mainstream with The Complex. "Mainstream" is, of course, a flexible notion, so what passes as commercial for these guys is a lot more adventurous than most of the era's ear candy. These tracks adhere to clear song structures, with guest vocalists singing actual lyrics on original as well as cover material; a zombie-like cameo by Dave Matthews on "Sing Along" offers the wryest surprises. But an unmistakable imprint endures in the eclectic sonic references and, above all, thundering stage-oriented rhythms. The core members of the group play traditional instruments -- in this case, ranging from standard-issue electric guitar to Hungarian cimbalom, heard most clearly in the opening seconds of "Above" -- as well as their invented gear whose contributions to the din are, frankly, neither critical nor easy to discern. On their version of the disco classic "I Feel Love," for instance, the 16th-note pulse created via sequencer for the Donna Summer original is mimicked by the device they call the Tube, giving rise to the question of whether using something new to do what someone else did with old stuff 20-plus years earlier is worth the effort. But this is, of course, beside the point: Although its inspirations, musical and conceptual, trace as far back as Kraftwerk, The Complex serves as a reminder that modern devices and glistening production values can be applied to the most primal creative instincts, if utilized by the right -- blue -- hands. ~ Robert L. Doerschuk, Rovi

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