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Classics in the Key of G

Kenny G  Main Performer

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Track
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1 Summertime Heyward/Gershwin/Ge 6:46
2 The Look of Love VanHeusen/Cahn 5:30
3 What a Wonderful World Weiss/Thiele 3:03
4 Desafinado Jobim/Mendonca 5:54
5 In a Sentimental Mood Mills/Ellington/Kur 4:55
6 The Girl from Ipanema DeMoraes/Gimbel/Job 4:16
7 Stranger on the Shore Mellin/Bilk 3:08
8 Body and Soul Green/Sour/Heyman/E 7:21
9 'Round Midnight Monk/Hanighen/Willi 6:26
10 Over the Rainbow Arlen/Harburg 8:08
  • Overview
  • Production Details
  • Editorial Reviews
Classics in the Key of G

Audio Compact Disc

Label: RCA

Category: Pop/Rock

Classics in the Key of G

UPC: 078221908528

Release Date: 06/29/1999

Original Release Date: 06/29/1999

Number of Discs: 1

Tracks: [Summertime, The Look of Love, What a Wonderful World, Desafinado, In a Sentimental Mood, The Girl from Ipanema, Stranger on the Shore, Body and Soul, 'Round Midnight, Over the Rainbow]
Contributors:

Stephen Thomas Erlewine

Some jazz critics may point to Classics in the Key of G as proof of Kenny G's lack of jazz substance, but it really is proof of how well he makes instrumental pop albums. Yes, Kenny G has reworked a predictable set of pop classics, from "Summertime" to "The Look of Love," to fit his signature smooth sound, but that should be expected from an album like this. Kenny G will never abandon his signature sound because that sound is him; he doesn't want to push musical boundaries, he just wants to make gentle, melodic music. If he's seen as a pop musician, not a jazz saxophonist, his virtues become evident. Unlike some of his peers, there's genuine warmth in his tone, and he never diverts his attention from the melody; he crafts records around songs, not improvisations. Simply containing ten songs everybody knows, Classics in the Key of G is a pleasant, unassuming listen (with the exception of "What a Wonderful World," which contains a jarring original vocal from Louis Armstrong). As a matter of fact, it may be one of his better records, simply because he's working with ten terrific songs, and his performances show real affection for the music. He sticks to the original songs, only updating the production or throwing some minor glissandos into the melodies. His solos are extensions of the original themes -- at times, it's hard to tell when he's slipping into a solo since it's so smooth -- and it all comes together as nice, pleasant music. That may mean that Classics in the Key of G may occasionally fade into the background, but like any good instrumental pop album, it's sweet to the ears whether it's in the foreground or sonic wallpaper. ~ Stephen Thomas Erlewine, Rovi

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