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Casey Abrams

Casey Abrams  Guitar (Acoustic) Casey Abrams  Bass Casey Abrams  Guitar Casey Abrams  Bass (Electric) Casey Abrams  Cello Casey Abrams  Composer Casey Abrams  Drums Casey Abrams  Recorder Casey Abrams  Vocals Casey Abrams  Melodica Casey Abrams  Double Bass Casey Abrams  Shaker Casey Abrams  Wurlitzer Casey Abrams  Soloist Casey Abrams  Main Performer

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Audio Compact Disc

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1 Simple Life Abrams/Gad 3:36
2 Ghosts Abrams/Westberg 3:37
3 Get Out Abrams/Reeves/Westb 3:31
4 Great Bright Morning Abrams/Hartman/Stoc 3:38
5 Blame It on Me Abrams/Friedman/She 3:33
6 Wore Out My Soul Abrams/Barter 4:31
7 Stuck in London Abrams/Skarbek/Tere 2:45
8 Midnight Girl Abrams/Hartman/Stoc 3:07
9 A Boy Can Dream Busbee/James/Maloy 3:17
10 Dry Spell Abrams/Friedman/She 3:14
11 Hit the Road Jack Mayfield 3:46
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Casey Abrams

Audio Compact Disc

Label: Concord

Category: Pop/Rock

Casey Abrams

UPC: 888072336728

Release Date: 06/26/2012

Original Release Date: 06/26/2012

Number of Discs: 1

Tracks: [Simple Life, Ghosts, Get Out, Great Bright Morning, Blame It on Me, Wore Out My Soul, Stuck in London, Midnight Girl, A Boy Can Dream, Dry Spell, Hit the Road Jack]
Contributors:

Stephen Thomas Erlewine

Alone among the anonymous American Idol hopefuls at the beginning of season ten, Casey Abrams cut somewhat of a memorable figure -- possibly because he had the gumption to kiss judge Jennifer Lopez, possibly because behind his scruffy, friendly, hippie demeanor hid an old-fashioned, jazzy, blue-eyed soul singer. The latter is naturally emphasized on his 2012 eponymous debut for Concord Records, an album produced by American Idol's longest-serving judge, Randy Jackson. Abrams sings with a smile, never letting a grey cloud darken his blue sky --an attitude that's easier to adopt if you avoid sad songs, which he does throughout this sunny, mellow affair. It's all love songs and paeans to the wonders of a simple life, whether it's embracing a "Great Bright Morning" or eating mangos in a mango tree. Modern-day hippie that he is, Abrams peppers his cheerful ditties with throwaway references to DVRs and Wi-Fi while he eases himself into the radio-ready waters of "Get Out" and adopts a bit of co-writer Jason Mraz's sing-songy folkie jazz, but this record still feels like a wannabe throwback to the '70s, right down to the elastic blues groove of "Blame It on Me," the funkiest thing here. Over the course of an LP, what was distinctive about Abrams on AmIdol -- all the good cheer, the jazzy runs and scats, the way he leans just a little too hard into his phrases whenever he wants to seem soulful -- turn grating, but only mildly so: it's all a bit too sweet and dippy but it's hard to get mad at the amiable Abrams. It'd be like getting angry at a puppy that only wants to get pets. ~ Stephen Thomas Erlewine, Rovi