Choose a format:
| 1 | Enough of the Blues | Moore | 4:47 |
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| 2 | You Upset Me Baby | Bihari/King | 3:13 |
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| 3 | Cold Black Night | Moore | 4:18 |
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| 4 | Stormy Monday | Walker | 6:53 |
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| 5 | I Ain't Got You | Carter | 2:53 |
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| 6 | Picture of the Moon | Moore | 7:14 |
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| 7 | Looking Back | Watson | 2:19 |
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| 8 | The Prophet | Moore | 6:19 |
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| 9 | How Many Lies | Moore | 6:09 |
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| 10 | Drowning in Tears | Moore | 9:20 |
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| 11 | Enough of the Blues [DVD] | Moore |
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| 12 | You Upset Me Baby [DVD] | Bihari/King |
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| 13 | Cold Black Night [DVD] | Moore |
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| 14 | Stormy Monday [DVD] | Walker |
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| 15 | I Ain't Got You [DVD] | Carter |
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| 16 | Picture of the Moon [DVD] | Moore |
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| 17 | Looking Back [DVD] | Watson |
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| 18 | The Prophet [DVD] | Moore |
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| 19 | How Many Lies [DVD] | Moore |
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| 20 | Drowning in Tears [DVD] | Moore |
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| 21 | [CD-ROM Track] |
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Overview
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Production Details
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Editorial Reviews
Back to the Blues
Dual Disc [DualDisc]
Label: Silverline
Style: Modern Electric Blues
Back to the Blues
UPC: 676628454725
Release Date: 11/02/2004
Original Release Date: 11/02/2004
Number of Discs: 2
- Gary Moore
Main Performer
Hal Horowitz
Six years after his successful tribute to Peter Green, Gary Moore follows with another solid electric blues-rock effort that falls squarely in line with his similarly themed albums Still Got the Blues, After Hours, and Blues Alive. Although he adds brass on a rollicking version of B.B. King's "You Upset Me Baby," Moore predominantly sticks to the basics here, pounding out energetic and full-bodied blues-rock and leading a stripped-down trio with a journeyman's enthusiasm and his trademark thick, sustained guitar solos slashing through the proceedings. The majority of the tracks are originals, although even the best of them sound suspiciously like rewritten blues standards. "Cold Black Night" is little more than a speeded-up "Messin' With the Kid," and "Picture of the Moon" sounds awfully similar to Moore's own "Still Got the Blues." And whether the world needs yet another version of "Stormy Monday" or "I Ain't Got You" is debatable. But Moore pulls off even the most clich?d material with his phenomenal prowess; supple, identifiable vocals; and a guitar tone that effortlessly shifts from a Santana/Peter Green-styled hovering intensity to a slashing Stevie Ray Vaughan attack. While Moore isn't redefining the genre or even his own approach to it, he's adding his stamp to blues-rock with Back to the Blues, Rovi
