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Austin Powers Scores, Baby!

George S. Clinton  Main Performer

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1 Cartage/Following/Virtucon Clinton 2:11
2 Opening/Norad/Evacuation Clinton 3:30
3 Vanessa's Theme Clinton 2:10
4 Evil Plot/Steamroller/Mutant Sea Bass Clinton 2:08
5 Danger March Clinton 1:31
6 Hit and Run/Heroic Austin Clinton 1:27
7 Porbe/Fembots/Evil Orbit Clinton 2:01
8 Soul Bossa Nova Jones 2:42
9 I'm Back/Mini-Me/Time Portal Clinton 2:29
10 Monkey Man Clinton 1:22
11 The Shagga-Nova Clinton 3:02
12 Evil Island/Inside Out Clinton 2:47
13 Felicity's Theme Clinton 2:19
14 Laser Model Clinton 1:32
15 Chess Clinton 1:33
16 Blast Off/Fat Bastard/Prisoners Clinton 2:38
17 Swinger Landing/10 Minutes Afo/Gonna Blow/Time Portal Reprise Clinton 3:46
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Austin Powers Scores, Baby!

Audio Compact Disc

Label: RCA

Style: Soundtracks

Austin Powers Scores, Baby!

UPC: 090266373529

Release Date: 01/01/1899

Original Release Date: 01/01/1899

Number of Discs: 1

Tracks: [Cartage/Following/Virtucon, Opening/Norad/Evacuation, Vanessa's Theme, Evil Plot/Steamroller/Mutant Sea Bass, Danger March, Hit and Run/Heroic Austin, Porbe/Fembots/Evil Orbit, Soul Bossa Nova, I'm Back/Mini-Me/Time Portal, Monkey Man, The Shagga-Nova, Evil Island/Inside Out, Felicity's Theme, Laser Model, Chess, Blast Off/Fat Bastard/Prisoners, Swinger Landing/10 Minutes Afo/Gonna Blow/Time Portal Reprise]
Contributors:

Heather Phares

The straightforwardly named Austin Powers Scores, Baby! collects the highlights from the scores to Austin Powers and Austin Powers: The Spy Who Shagged Me. Tracks such as "Cartage," "Evil Plot," and "Danger March" are caricatures of the dramatic style of '60s spy film composers such as Lalo Schifrin, while "Vanessa's Theme" and other soft, romantic pieces capture the decade's penchant for lush, symphonic arrangements. Latin and lounge-inspired compositions like "The Shagga-Nova" update the cartoonish, space age bachelor pad feel of many '60s pop instrumentals; Austin's unofficial theme song, "Soul Bossa Nova" by Quincy Jones, defines the style (and is also included here). Musically and thematically, there isn't much difference between the tracks from Austin Powers and The Spy Who Shagged Me, so this collection of the scores' best moments makes perfect sense for fans of the films as well as soundtrack aficionados. ~ Heather Phares, Rovi