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Actual Miles: Henley's Greatest Hits

Don Henley  Main Performer

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Track
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1 Dirty Laundry Kortchmar/Henley 5:36
2 The Boys of Summer Henley/Campbell 4:45
3 All She Wants to Do Is Dance Kortchmar 4:28
4 Not Enough Love in the World Henley/Kortchmar/Te 3:54
5 Sunset Grill Tench/Henley/Kortch 6:22
6 The End of the Innocence Henley/Hornsby 5:14
7 The Last Worthless Evening Corey/Lynch/Henley 6:05
8 New York Minute Kortchmar/Henley/Wi 6:34
9 I Will Not Go Quietly Henley/Kortchmar 5:41
10 The Heart of the Matter Campbell/Henley/Sou 5:21
11 The Garden of Allah Gurian/Lynch/Corey/ 7:03
12 You Don't Know Me at All Corey/Henley/Lynch 5:36
13 Everybody Knows Cohen/Robinson 6:10
  • Overview
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Actual Miles: Henley's Greatest Hits

Audio Compact Disc

Label: Universal

Style: Adult Contemporary

Actual Miles: Henley's Greatest Hits

UPC: 720642483428

Release Date: 11/20/1995

Original Release Date: 11/20/1995

Number of Discs: 1

Tracks: [Dirty Laundry, The Boys of Summer, All She Wants to Do Is Dance, Not Enough Love in the World, Sunset Grill, The End of the Innocence, The Last Worthless Evening, New York Minute, I Will Not Go Quietly, The Heart of the Matter, The Garden of Allah, You Don't Know Me at All, Everybody Knows]
Contributors:

William Ruhlmann

Although it is drawn from only three albums (with only one track, "Dirty Laundry," from I Can't Stand Still), Actual Miles was a well-chosen best-of from an artist who had enjoyed just enough hits to justify one. Five tracks each came from Building the Perfect Beast and The End of the Innocence, and they included all of Don Henley's Top 40 hits. The album was filled out with a cover of Leonard Cohen's "Everybody Knows" and two new tracks, among them the ambitious "The Garden of Allah," which seemed to be an attempt to create a new allegorical masterpiece along the lines of "Hotel California," but managed to be only pretentious. Still, the bulk of this album was the sound of AOR radio in the mid-'80s. That, of course, was the catch -- this album should have come out about four years before it did, and probably would have if Henley hadn't been suing Geffen Records. Though destined to be a successful catalog item, in 1995 it was more a historical artifact than a major release. ~ William Ruhlmann, Rovi

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