Choose a format:
| 1 | New Direction | Sugar Ray [Rock] | :48 |
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| 2 | Every Morning | Kahne/Bean/Zarate/T | 3:39 |
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| 3 | Falls Apart | Kahne/Sugar Ray [Ro | 4:15 |
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| 4 | Personal Space Invader | Sugar Ray [Rock]/Ka | 3:38 |
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| 5 | Live & Direct | Sugar Ray [Rock]/Ka | 4:34 |
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| 6 | Someday | Sugar Ray [Rock]/Ka | 4:02 |
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| 7 | Aim for Me | Sugar Ray [Rock] | 2:20 |
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| 8 | Ode to the Lonely Heart | Sopkovich | 3:12 |
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| 9 | Burning Dog | Sugar Ray [Rock] | 3:01 |
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| 10 | Even Though | Sugar Ray [Rock] | 2:35 |
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| 11 | Abracadabra | Miller | 3:42 |
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| 12 | Glory | Sugar Ray [Rock] | 3:26 |
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| 13 | New Direction | Sugar Ray [Rock] | 1:18 |
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Overview
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Production Details
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Editorial Reviews
14:59
Audio Compact Disc
Label: Atlantic
Style: Alternative Pop/Rock
14:59
UPC: 075678315121
Release Date: 01/12/1999
Original Release Date: 01/12/1999
Number of Discs: 1
- Sugar Ray
Main Performer
Paul Pearson
Sugar Ray lead singer Mark McGrath had proven himself on national television as a walking rock encyclopedia, in a 1998 episode of VH1's Rock and Roll Jeopardy. It was an impressive feat that could explain the divergent styles of Sugar Ray's 1999 album 14:59. Their third album showed an alarming overhaul in their approach, practically moving Sugar Ray into a new genre. 14:59 steered them from their metal shellac toward a calmer, melodious pastiche of songs. The band on 14:59 has versatility nailed down better than your grade-A wedding band: "Every Morning" bounces with the acoustic pop gentility of their 1997 hit "Fly," while "Falls Apart" and "Personal Space Invader" reflect influences from Synchronicity and Men Without Hats. 14:59 also favors the leaner, faster punk of Green Day in "Aim for Me." There's even a frighteningly faithful cover of Steve Miller's "Abracadabra." If there's one criticism of 14:59, it's that if you listen hard enough you'll be playing "sounds like..." for many songs. In that sense it's almost a parody; the inclusion of two comic songs entitled "New Direction" (one death metal, one circus tent) help that assessment. Finally, though, 14:59 has such catchiness and charm that it's a guilty pleasure of high order, and a bigger step than one might have expected from Sugar Ray. ~ Paul Pearson, Rovi









