Adventures of Baron Munchausen
John Neville Actor , Eric Idle Actor , Sarah Polley Actor , Uma Thurman Actor , Jonathan Pryce Actor , Oliver Reed Actor , Sting Actor , Charles McKeown Actor , Robin Williams Actor , Valentina Cortese Actor
MPAA Rating:
PG
Contains:Violence,Brief Nudity,Suitable for Children
Choose a format:
-
Overview
-
Format Details
-
Edtitorial Reviews
-
Cast & Production Credits
Adventures of Baron Munchausen
Theatrical Release Date: 1989 03 10 (USA)
UPC: 043396769892
Studio: Columbia TriStar
MPAA Rating: PG Contains:[Violence, Brief Nudity, Suitable for Children]
Summary: Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the "career" of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale....In short, all of Munchausen's fabulous lies are here presented as "truth," played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli's Venus and an extended unbilled cameo by Robin Williams -- that is, by the head of Robin Williams -- as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette. ~ Hal Erickson, Rovi
Category: Fantasy
Awards: Best Production Design – British Academy of Film and Television Arts Best Costume Design – British Academy of Film and Television Arts Best Makeup – British Academy of Film and Television Arts Best Makeup – British Academy of Film and Television Arts Best Art Direction – Academy of Motion Picture Arts and Sciences Best Art Direction – Academy of Motion Picture Arts and Sciences Best Costume Design – Academy of Motion Picture Arts and Sciences Best Makeup – Academy of Motion Picture Arts and Sciences Best Makeup – Academy of Motion Picture Arts and Sciences Best Visual Effects – Academy of Motion Picture Arts and Sciences Best Visual Effects – Academy of Motion Picture Arts and Sciences
Features:
Interactive menus
Languages: English two-channel Surround, Spanish, Portuguese
Subtitles: English, Spanish, Portuguese, Korean, Chinese, Thai
Theatrical trailer
Scene selections
Adventures of Baron Munchausen
Format: DVD
Release Date: 04/27/1999
Aspect Ratio: 1.85:1 Theatre Wide-Screen
Audio: DDS2.0 Dolby Digital w/ 4 channels
Runtime: 127 Minutes
Sides: 1
Number of Discs: 1
Language(s) English,Spanish,Portuguese
Subtitles: English,Spanish,Portuguese
Region: USA & territories, Canada
Chapters:
Side#1--
0. Side#1--
0. Scene Selections
1. Start. [3:18]
2. Henry Salt & Son. [4:57]
3. Act II. [7:04]
4. A wager. [2:21]
5. "Torturer's apprentice". [2:53]
6. Awakening Bertholdt. [3:13]
7. Empty treasury. [3:07]
8. Theatre under siege. [7:07]
9. Cannonball exress. [5:51]
10. Inflatable knickers. [6:07]
11. Off to the moon. [4:10]
12. Royal welcome. [5:58]
13. Bertholdt. [5:42]
14. A jealous king. [6:46]
15. With Vulcan. [5:43]
16. Venus. [9:18]
17. Expelled. [1:43]
18. World's other side. [5:10]
19. Adolphus & Gustavus. [3:35]
20. Bucephalus & snuff. [3:13]
21. "The town! We're here!". [2:10]
22. The Baron surrenders. [3:10]
23. Executioner's block. [3:14]
24. Routing the Turk. [5:50]
25. Victory parade. [3:04]
26. "I met my death.". [5:02]
27. Adieu. [1:14]
28. End credits. [4:54]
Nathan Southern
The fabled Baron von Munchausen appeared in a number of live-action and animated screen incarnations prior to 1989, including Josef von Baky's 1943 UFA-funded, Goebbels-produced Munchausen. Yet Terry Gilliam bravely resisted the temptation to rework any of those prior screen versions. Instead, his film is twofold. On the most rudimentary level, he uses the Munchausen stories as a kind of loose framework on which to hang an assortment of the most audacious visual fireworks ever to illuminate the silver screen. And on that basis, the work is truly extraordinary, bringing to light effects unlike any created before or since in a Western feature, which defy all boundaries of form, dimension, and logic. Consequently, The Adventures of Baron Munchausen -- like Ray Harryhausen's 7th Voyage of Sinbad 30 years prior -- held captive the imaginations of those viewers who were fortunate enough to catch this film as children, during its initial theatrical run. From the "animated constellations" that swirl and gyrate through the celestial fabric, to the scythe-wielding Grim Reaper who bursts forth from an inert stone statue, sending stone shards flaying off omnidirectionally, to the glimpse of a white sand-filled sea of tranquility with the half-buried stone head of some obscure lunar monarch in the foreground, Gilliam plunges breathlessly and rapturously into a preadolescent visual dreamscape. If the film only functioned as a collection of visual pyrotechnics (as many assumed), it would indeed be disappointing; instead, Gilliam intuitively plunges deeper, and the film gains longevity from its thematic level. With Baron, Gilliam completed a planned screen trilogy on the theme of imagination as it triumphs over reason and logic. This thematic triumvirate began some eight years prior with Time Bandits, continued with 1985's sci-fi tragicomedy Brazil, and wraps with Baron. And that theme is the glue that holds this massively overscaled, freewheeling production together, ingeniously justifying every one of Gilliam's deliberate logical and temporal lapses (particularly in the confusing denouement). With -- as an added bonus -- the one-of-a-kind Pythonesque humor that flavors the majority of Gilliam's screen works providing much-needed lunacy and comic relief, the film earns its right to masterpiece status. Unfortunately, Western audiences did not agree. This outrageously expensive film (presumably greenlit during David Puttnam's tenure at Columbia) confounded many American viewers and slipped by others, bringing untold financial loss for the studio. Gilliam survived, however, rebounding to box-office gold two and a half years later, with the Christmas 1991 blockbuster The Fisher King. ~ Nathan Southern, Rovi
Cast and Crew:
Tony Smart
Actor
Franco Adducci
Actor
Don Henderson
Actor
Jake Eberts
Executive Producer
Terry Gilliam
Director
Terry Gilliam
Screenwriter
Michael Kamen
Composer (Music Score)
Charles McKeown
Screenwriter
Thomas Schühly
Producer
John Neville
Actor
Eric Idle
Actor
Sarah Polley
Actor
Uma Thurman
Actor
Jonathan Pryce
Actor
Oliver Reed
Actor
Sting
Actor
Charles McKeown
Actor
Robin Williams
Actor
Winston Dennis
Actor
Jack Purvis
Actor
Jack Purvis
Actor
Valentina Cortese
Actor
Bill Paterson
Actor
Peter Jeffrey
Actor
Alison Steadman
Actor
Ray Cooper
Actor
Andrew Maclachlan
Actor
Mohamed Salem Badr
Actor
Kiran Shah
Actor
Ettore Martini
Actor
Jose Lifante
Actor
Country: UK,West Germany
